Grace Weber’s Music Lab, forged from collaboration between music artist Grace Weber and 88Nine Radio Milwaukee, is a free, monthly music and arts education program aimed at teaching high school students across Milwaukee, Wisconsin, about music and the entertainment industry.
In 2015, The Seattle Globalist launched Your City. Your Story. Your Voice., a community media workshop series that served as a deconstructed journalism school for Seattle’s international communities. While it has always been their mission to elevate diverse voices, the daily online publication provided a formal orientation and introductory training to new writers and visual journalists.
In May 2018, 100 Days in Appalachia held The Pittsburgh Pitch, an event that used crowdfunding to fund local journalism. Modeled after Wheeling Heritage’s Show of Hands, 100 Days in Appalachia and the Center for Innovation at Point Park University asked local journalists in Pittsburgh to submit pitches under one theme.
Headed by Tri-State Public Media (WNIN) producer Paola Marizán, the bilingual podcast ¿Qué Pasa, Midwest? was established with the hopes of telling the stories of Latino community members living in the Midwest. Audience members are able to contribute to the podcast’s production by suggesting their story ideas and guest-starring in podcast episodes.
The Arizona Center for Investigative Reporting (AZCIR) developed what is now known as the “AZ Dark Money Bot,” or @AZDarkMoneyBot, a Twitter bot that enables the automation of “dark money” expenditure reporting. The Bot’s tweets include names of the groups, candidates receiving dark money, and campaign spending.
Cittadini Reattivi is an online Italian crowd-sourced civic journalism project focused on health, the environment, and judicial issues. The project serves those who live in areas affected by pollution. Since founder and editor Rosy Battaglia launched the project in 2013, she has been able to gather user-generated story ideas, some of which led to new journalistic investigations.
Eyes on Oakland was a collaborative project launched in 2015 by The Center for Investigative Reporting (CIR) and the Mobile Arts Platform in Oakland, California. The project used a mobile van retrofitted with a portable recording studio and a screen-printing station to engage with the public on the topic of surveillance in the city.
Civil Beat’s Civil Café series convenes influencers and knowledge experts to debate and discuss important Hawaii issues in front of an active and engaged audience. Most discussions are moderated by a Civil Beat editor or reporter, and cover timely and topical issues complementary to Civil Beat reporting like climate change, legislative issues, and economic welfare.
In early 2017, CALmatters education reporter Jessica Calefati grew frustrated while researching a piece about California school funding, after two Los Angeles area schools refused to comply with her records request. Calefati used “open reporting,” a method that gives readers insight to a reporter’s or media outlet’s newsgathering process, to enhance her main story.
In 2017, The Listening Post Collective, with support from an Omaha based foundation, conducted an Information Ecosystem Assessment in north Omaha, Nebraska. The resulting assessment maps the existing media and information ecosystem and offers examples and suggestions of steps that may improve access to information and news coverage of north Omaha.
After the 2016 election, Colorado Public Radio (CPR) reporters wanted to know how they could help bridge conversation across party lines in an increasingly polarized political climate. So in May, CPR brought together a politically and ethnically diverse group of listeners to share a meal and engage in conversation. The dinner series, now dubbed Breaking Bread.
The Austin Monitor, an innovative nonprofit newsroom that covers municipal matters in detail, sought ways to engage readers on the most mundane issues. It has found success by hosting Budget Game Nights that challenge citizens to come up with their own solutions for the city’s budget, an interactive approach that the Monitor and its project partner, Glasshouse Policy.
