The Times wanted to know how the pandemic was affecting Americans financially. The reporting team set out to collect a large enough sample of bills that they would be able to spot meaningful patterns in the types of charges and billing codes used for COVID-19.
In 2015, The Seattle Globalist launched Your City. Your Story. Your Voice., a community media workshop series that served as a deconstructed journalism school for Seattle’s international communities. While it has always been their mission to elevate diverse voices, the daily online publication provided a formal orientation and introductory training to new writers and visual journalists.
Community in Unity, created by Alaska Public Media, invites residents of Alaska to sit down and participate in face-to-face discussions in order to tackle relevant community issues. Recorded for radio broadcast, the group conversations have included topics ranging from homelessness to race and identity with the hopes of getting people who wouldn’t normally meet together.
The Yarn Exchange Radio Program shares stories that cultivate a more cohesive community by drawing from its multigenerational and multicultural landscape. The ensemble cast, composed of community members, performs a monthly radio show on themes chosen by the cast.
The South Side Photo Walk, an annual workshop going on its ninth year held by Syracuse community newspaper The Stand, uses photography to bring people together and highlight a typical day in the South Side neighborhood of Syracuse, New York. Participants use photography to capture an aspect of the South Side community that is less frequently covered in the media.
Eyes on Oakland was a collaborative project launched in 2015 by The Center for Investigative Reporting (CIR) and the Mobile Arts Platform in Oakland, California. The project used a mobile van retrofitted with a portable recording studio and a screen-printing station to engage with the public on the topic of surveillance in the city.
A day after the funeral of Freddie Gray and the subsequent escalation of protest violence, and in response to the narrowly focused reporting of national and local news outlets on the Baltimore Uprising, Wide Angle Youth Media (WAYM) students and staff felt compelled to use their documentary skills to collect positive images of Baltimore youth.
In 2017, Southern California Public Radio (KPCC) piloted Unheard LA, a community-driven live storytelling series that featured people’s first-person accounts of real-life experiences. KPCC’s events and engagement arm, KPCC In Person, reached beyond the station’s existing audience by using the P.I.N., GroundSource, and other engagement tools to solicit story pitches and promote the event.