Grace Weber’s Music Lab, forged from collaboration between music artist Grace Weber and 88Nine Radio Milwaukee, is a free, monthly music and arts education program aimed at teaching high school students across Milwaukee, Wisconsin, about music and the entertainment industry.
With dwindling time and resources in newsrooms, does it make sense to invest in citizen-powered journalism and training? These programs might accomplish the mission of many newsrooms and improve democracy as a whole, but do they actually change communities? There are plenty of places to seek answers, because there is no shortage of programs that seek to train and “empower” people on behalf of journalism.
Susan Robinson, a University of Wisconsin-Madison journalism professor, is on a self-professed racial journey. A journey she says all journalists should take. Here are 10 tips on building bridges between the mainstream media and underrepresented voices.
In 2015, The Seattle Globalist launched Your City. Your Story. Your Voice., a community media workshop series that served as a deconstructed journalism school for Seattle’s international communities. While it has always been their mission to elevate diverse voices, the daily online publication provided a formal orientation and introductory training to new writers and visual journalists.
In 2016, after Donald Trump proposed a ban that would prevent Muslims from entering the U.S., KUOW radio station Executive Producer of Community Engagement, Ross Reynolds, wondered how he could provide people with the opportunity to learn about communities they may know nothing about. The answer he reached was the “Ask A…” project, a series of in-person events.
In light of the media industry’s growing focus on audience engagement, this article explores how online and offline forms of engagement unfold within journalism, based on a comparative case study of two American public media newsrooms.
Does your election coverage provide what your community needs? How do you know? Fresh off their ONA talk on this topic, Ashley Alvarado of Southern California Public Radio and Julia Haslanger of Hearken will bring tools and strategies to help your newsroom better serve your audience.
The Banyan Project develop a business model for community-scale online news co-ops that are designed to thrive in news deserts. Banyan is now setting out to proactively seed news co-ops throughout the U.S. and to provide them with quality support services so they succeed.
The summary below was provided by Ode founder and Siouxland Public Media Arts Producer Ally Karsyn. Siouxland Public Media, the NPR affiliate in Sioux City, Iowa, produces Ode, a curated live storytelling series where community members tell true stories on stage to promote positive impact through empathy. The storytelling series offers a multi-platform output—on air, online and in person. Through these channels, Ode has strengthened existing community partnerships and established new ones—all while generating a new revenue stream and attracting a new, younger audience to engage with public radio.
Community in Unity, created by Alaska Public Media, invites residents of Alaska to sit down and participate in face-to-face discussions in order to tackle relevant community issues. Recorded for radio broadcast, the group conversations have included topics ranging from homelessness to race and identity with the hopes of getting people who wouldn’t normally meet together.
This study examines the opportunities and threats to the discursive values of professional journalism inherent in collaborating with citizen journalists, as well as areas of overlap in the values and practice of professional and citizen journalists. This study reveals that, while there is minimal overlap in discursive values between professional and citizen journalism, there are several areas of overlap between the two traditions in theory and practice. This study indicates strong public interest in participating in the journalistic process.
The Yarn Exchange Radio Program shares stories that cultivate a more cohesive community by drawing from its multigenerational and multicultural landscape. The ensemble cast, composed of community members, performs a monthly radio show on themes chosen by the cast.
